Romantic Cello by Candlelight - Fri 20 Nov, St George's Hanover Sq, London
Freitag, 20. November 2026, 19:30
Romantic Cello by Candlelight - Fri 20 Nov, St George's Hanover Sq, London · The Vestry, 2A Mill St, London W1S 1FX, UK, London
Chris Grist - Cello
Daniel Grimwood - Piano
Bridge - Cello Sonata
Saint-Saëns - The Swan
Villa-Lobos - O Canto do Cisne Negro
Ireland - Cello Sonata
Cellist Chris Grist and pianist Daniel Grimwood present a richly expressive programme celebrating the lyrical beauty and dramatic power of the cello.
Frank Bridge’s Cello Sonata opens the evening with music of great depth and introspection, its sweeping lines and shifting moods shaped by a composer writing in the shadow of the First World War.
At the heart of the programme are two strikingly contrasted pieces centred around swans. Saint-Saëns’ much-loved The Swan, from The Carnival of the Animals, offers a moment of poise and elegance, while Villa-Lobos’ O Canto do Cisne Negro (Song of the Black Swan) casts a darker, more mysterious spell, blending Romantic lyricism with the distinctive colours of Brazilian music.
The programme concludes with John Ireland’s Cello Sonata, a powerful and rhapsodic work admired for its emotional breadth, intensity and passion.
Together, these works create a compelling journey through light and shadow, revealing the cello at its most expressive and evocative.
Daniel Grimwood - Piano
Bridge - Cello Sonata
Saint-Saëns - The Swan
Villa-Lobos - O Canto do Cisne Negro
Ireland - Cello Sonata
Cellist Chris Grist and pianist Daniel Grimwood present a richly expressive programme celebrating the lyrical beauty and dramatic power of the cello.
Frank Bridge’s Cello Sonata opens the evening with music of great depth and introspection, its sweeping lines and shifting moods shaped by a composer writing in the shadow of the First World War.
At the heart of the programme are two strikingly contrasted pieces centred around swans. Saint-Saëns’ much-loved The Swan, from The Carnival of the Animals, offers a moment of poise and elegance, while Villa-Lobos’ O Canto do Cisne Negro (Song of the Black Swan) casts a darker, more mysterious spell, blending Romantic lyricism with the distinctive colours of Brazilian music.
The programme concludes with John Ireland’s Cello Sonata, a powerful and rhapsodic work admired for its emotional breadth, intensity and passion.
Together, these works create a compelling journey through light and shadow, revealing the cello at its most expressive and evocative.
